programme__yÙoln__ Auctions Prices | programme__yÙoln__ Guide Prices (2024)

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Lion and Unicorn

Lot 325

Titled: Gateway to Garden, W.A. Enola signed on bottom left. Artist: W.A. EnolaIssued: Late 1800’sDimensions: 9"L x 6.75"HCountry of Origin: United StatesCondition: Age related wear.

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Lion and Unicorn

Lot 258

Colorful photochrom postcards depicting historical architecture, landscapes, local pottery and local ports.Issued: Early 1900’sDimensions: 5.5"L x 3.5"WCountry of Origin: MexicoCondition: Age related wear.

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Lion and Unicorn

Lot 252

Monochrome, sepia, scenes of Italy from Casino Municipale Di Venezia. Unused, divided back.Issued: Early 1900’sDimensions: 6"L x 4.25"WCountry of Origin: ItalyCondition: Age related wear.

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Lion and Unicorn

Lot 251

Colorful photochrom postcards of two beautiful young ladies and cathedral. White raised border, unused, divided backs.Issued: Early 1900’sDimensions: 5.5"L x 3.5"WCondition: Age related wear.

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Lion and Unicorn

Lot 257

Colorful assortment of postcards depicting coastal scenes, locals and woman in ethnic costume dress. All unused divided back and in protective plastic sleeves.Issued: Early 1900’sDimensions: 5.5"L x 3.5"WCountry of Origin: PortugalCondition: Age related wear.

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Lion and Unicorn

Lot 290

Numbered and titled: 10351. Contortions Di Napoli - Positano - Panorama. Photographers name: Edizioni Brogi on bottom right.Sight size: 7.5in H x 9.5in L. Board size: 10.75 H x 14 L. Artist: Edizioni BrogiIssued: Late 1800’sCountry of Origin: ItalyCondition: Age related wear. 1inch tear on right side.

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Lion and Unicorn

Lot 263

View, colorful tropical landscape with Rio Pinnas natives. Used, V.N. Del Balboa stamp. Canal Zone. Issued: Early 1900’sDimensions: 5.5"L x 3.5"HCountry of Origin: PanamaCondition: Age related wear.

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Lion and Unicorn

Lot 254

Lovely assortment of scenes of Firenze, Milano and more. All divided back.Issued: Early 1900’sDimensions: 5.5"L x 3.5"WCondition: Age related wear.

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Potteries Auctions

Lot 955

Moorcroft ‘Rose & Bud’ vase by Sally Tuffin, limited edition 79/500, 27cm high

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Lion and Unicorn

Lot 167

Written by former Hollywood screenwriter and film editor, this powerfully intimate book examines the starlet’s final weeks and offers startling evidence to support his provocative claim that Marilyn’s alleged suicide was, in fact, a tragic homicide. Contains 544 pages. Artist: Donald H. WolfeIssued: 1998Dimensions: 6.25"W x 9.5"HManufacturer: William Morrow And Company, Inc.Country of Origin: United StatesCondition: Age related wear.

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Stacey's Auctioneers & Valuers

Lot 185

A collection of interesting early coinage including Edward I 1279-1351 silver penny’s fragments Elizabeth I Irish coins James I Charles I and other coinage.

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Lion and Unicorn

Lot 331

Matte finish embossed plaque with an illustration of Don Quixote seated. Given to members joining Lladro’s Collectors Society. Artist: Salvador FurioIssued: 1985Dimensions: 5.75â€L x 2â€W x 4.25â€HManufacturer: LladroCountry of Origin: SpainCondition: Age related wear.

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Revere Auctions

Lot 660

Marc Chagall (Russian/French, 1887-1985). Printed by Mourlot, Paris. Published by the French government. Signed and dated 1962 lithograph poster depicting his work "La Baie des Anges" printed for tourism purposes for advertising Nice and Cote d’Azur.Literature: Mourlot 350.Lot Essay:Marc Chagall (born Moishe Shagal) was a Russian-French artist of Belarusian Jewish origin. An early modernist, he was associated with several major artistic styles and created works in a wide range of artistic formats, including painting, drawings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints.Art critic Robert Hughes referred to Chagall as "the quintessential Jewish artist of the twentieth century" (though Chagall saw his work as "not the dream of one people but of all humanity"). According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists". For decades, he "had also been respected as the world's pre-eminent Jewish artist". Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the UN and the Art Institute of Chicago and the Jerusalem Windows in Israel. He also did large-scale paintings, including part of the ceiling of the Paris Opera.Before World War I, he travelled between Saint Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his idea of Eastern Europe and Jewish folk culture. He spent the wartime years in Soviet Belarus, becoming one of the country's most distinguished artists and a member of the modernist avant-garde, founding the Vitebsk Arts College before leaving again for Paris in 1923.He had two basic reputations, writes Lewis: as a pioneer of modernism and as a major Jewish artist. He experienced modernism's "golden age" in Paris, where "he synthesized the art forms of Cubism, Symbolism, and Fauvism, and the influence of Fauvism gave rise to Surrealism". Yet throughout these phases of his style "he remained most emphatically a Jewish artist, whose work was one long dreamy reverie of life in his native village of Vitebsk." "When Matisse dies," Pablo Picasso remarked in the 1950s, "Chagall will be the only painter left who understands what colour really is."Sight; height: 39 in x width: 24 in. Framed; height: 39 3/4 in x width: 24 3/4 in x depth: 1 1/2 in.Condition:There are no visible tears, losses, or restorations. The sheet is lightly toned. Some undulation throughout, especially along the lower edge. There are two dark spots along the upper right and left corners. Some small spots of foxing or soiling throughout. Light wear to the frame; framed under glass. Not inspected out of frame.

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Lot 151

One gelatin silver print or original vintage press photographic reproduction from the archives of the Star Tribune depicting grunge-rock band Nirvana during their immortal, televised MTV Unplugged in New York performance. The live album of the performance was released seven months following the death of Kurt Cobain and it’s certified 8x platinum by the Recording Industry Association of America. The performance is universally lauded and so iconic that Kurt Cobain’s Martin D-18E guitar depicted in this photo is the most expensive guitar ever sold.Provenance: From the archives of the Star Tribune, established over 150 years ago, Minneapolis, Minnesota.The copyrights for these images remains solely with the Star Tribune or with the issuing agency or photographer. The prints are available as a collectible item only and may not be reproduced in any form whatsoever without prior written consent from the copyright holder.Height: 8 in x width: 10 in.Condition:All lots are in used condition. These photographs are from a working archive and contains notes, marks, labels, clippings, and/or retouching put in place by the staff at the time of publication. All may have cracks in the emulsion, losses, creases, folds, tears, smudges, and other issues associated with time, age, and use. The archive contains both silver gelatin prints and original vintage photographic reproductions.

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Lot 215

One gelatin silver print or original vintage photographic reproduction from the archives of the Star Tribune depicting the Pentagon’s communications Nerve Center of Defense with an insider view of army technicians operating traffic control panels, on behalf of all military chiefs. The Pentagon is the headquarters building of the United States Department of Defense and the world's second largest office building. Bears the stamp “Official Department of Defense Photoâ€.Provenance: From the archives of the Star Tribune, established over 150 years ago, Minneapolis, Minnesota.The copyrights for these images remains solely with the Star Tribune or with the issuing agency or photographer. The prints are available as a collectible item only and may not be reproduced in any form whatsoever without prior written consent from the copyright holder.Height: 10 in x width: 8 in.Condition:All lots are in used condition. These photographs are from a working archive and contains notes, marks, labels, clippings, and/or retouching put in place by the staff at the time of publication. All may have cracks in the emulsion, losses, creases, folds, tears, smudges, and other issues associated with time, age, and use. The archive contains both silver gelatin prints and original vintage photographic reproductions.

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Lot 161

One gelatin silver print or original vintage photographic reproduction related to Minoru Yamasaki with the twin towers of the World Trade Center from the archives of the Star Tribune. Minoru Yamasaki was a prominent 20th century architect who’s known for designing the original World Trade Center in New York City. The Twin Towers dominated the Manhattan skyline, took on iconic status in the public imagination, and became emblematic of New York City and America as a whole.Provenance: From the archives of the Star Tribune, established over 150 years ago, Minneapolis, Minnesota.The copyrights for these images remains solely with the Star Tribune or with the issuing agency or photographer. The prints are available as a collectible item only and may not be reproduced in any form whatsoever without prior written consent from the copyright holder.Height: 10 in x width: 8 in.Condition:All lots are in used condition. These photographs are from a working archive and contains notes, marks, labels, clippings, and/or retouching put in place by the staff at the time of publication. All may have cracks in the emulsion, losses, creases, folds, tears, smudges, and other issues associated with time, age, and use. The archive contains both silver gelatin prints and original vintage photographic reproductions.

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Lot 211

One gelatin silver print or original vintage press photographic reproduction related to creating the Official portrait of President Gerald Ford. From the archives of the Star Tribune depicting artist Everett Kinstler finishing painting President Ford’s official portrait.Provenance: From the archives of the Star Tribune, established over 150 years ago, Minneapolis, Minnesota.The copyrights for these images remains solely with the Star Tribune or with the issuing agency or photographer. The prints are available as a collectible item only and may not be reproduced in any form whatsoever without prior written consent from the copyright holder.Height: 6 1/2 in x width: 8 in.Condition:All lots are in used condition. These photographs are from a working archive and contains notes, marks, labels, clippings, and/or retouching put in place by the staff at the time of publication. All may have cracks in the emulsion, losses, creases, folds, tears, smudges, and other issues associated with time, age, and use. The archive contains both silver gelatin prints and original vintage photographic reproductions.

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Lot 194

One gelatin silver print or original vintage photographic reproduction related to WWII and the Great Tokyo Air Raid from the archives of the Star Tribune depicting fliers David Jones and Travis Hoover receiving awards for bombing as the Tokyo Air Raid or “Doolittle Raid†on April 18, 1942. This raid was America’s initial response and retaliation against the Japanese attack on Pearl Harbor, prompting warfare which encouraged WWII.Provenance: From the archives of the Star Tribune, established over 150 years ago, Minneapolis, Minnesota.The copyrights for these images remains solely with the Star Tribune or with the issuing agency or photographer. The prints are available as a collectible item only and may not be reproduced in any form whatsoever without prior written consent from the copyright holder.Height: 6 1/2 in x width: 8 1/2 in.Condition:All lots are in used condition. These photographs are from a working archive and contains notes, marks, labels, clippings, and/or retouching put in place by the staff at the time of publication. All may have cracks in the emulsion, losses, creases, folds, tears, smudges, and other issues associated with time, age, and use. The archive contains both silver gelatin prints and original vintage photographic reproductions.

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Lot 167

One gelatin silver print or original vintage press photographic reproduction of one of the most prominent leaders in the civil rights movement, Reverend Martin Luther King Jr. from the archives of the Star Tribune. Depicting Mr. King in attendance of Viola Liuzzo’s rites, seated and listening to honor the woman who died while aiding civil rights marchers.Provenance: From the archives of the Star Tribune, established over 150 years ago, Minneapolis, Minnesota.The copyrights for these images remains solely with the Star Tribune or with the issuing agency or photographer. The prints are available as a collectible item only and may not be reproduced in any form whatsoever without prior written consent from the copyright holder.Height: 8 in x width: 8 3/4 in.Condition:All lots are in used condition. These photographs are from a working archive and contains notes, marks, labels, clippings, and/or retouching put in place by the staff at the time of publication. All may have cracks in the emulsion, losses, creases, folds, tears, smudges, and other issues associated with time, age, and use. The archive contains both silver gelatin prints and original vintage photographic reproductions.

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Lot 168

One gelatin silver print or original vintage press photographic reproduction from the archives of the Star Tribune depicting Jefferson Thomas exiting a car as he arrives for his first day at Little Rock’s Central High School, being met with a crowd of snarky white students. Jefferson Thomas was one of the Little Rock Nine, a group of nine African-American students who were the first black students ever to attend classes and desegregate the High School. The world watched as they braved constant intimidation and threats from those who opposed desegregation of the formerly all-white high school.Provenance: From the archives of the Star Tribune, established over 150 years ago, Minneapolis, Minnesota.The copyrights for these images remains solely with the Star Tribune or with the issuing agency or photographer. The prints are available as a collectible item only and may not be reproduced in any form whatsoever without prior written consent from the copyright holder.Height: 6 in x width: 9 in.Condition:All lots are in used condition. These photographs are from a working archive and contains notes, marks, labels, clippings, and/or retouching put in place by the staff at the time of publication. All may have cracks in the emulsion, losses, creases, folds, tears, smudges, and other issues associated with time, age, and use. The archive contains both silver gelatin prints and original vintage photographic reproductions.

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Lot 222

One gelatin silver print or original vintage press photographic reproduction from the archives of the Star Tribune depicting Amelia Earhart in a lovely portrait seated on the wing of the Avro Avian biplane she bought from world-renowned Irish pilot Mary Lady Heath. Heath was an inspiration to Earhart, here as Amelia points to medals attached to the plane that were achieved from Heath’s solo flight over Europe and Africa.Amelia Earhart was an American aviation pioneer, the first female aviator to fly solo across the Atlantic Ocean, and an early aviator who promoted commercial air travel. Earhart's legacy stands as a member of the National Women's Hall of Fame and one of the most inspirational American figures, she is an aviation icon.Provenance: From the archives of the Star Tribune, established over 150 years ago, Minneapolis, Minnesota.The copyrights for these images remains solely with the Star Tribune or with the issuing agency or photographer. The prints are available as a collectible item only and may not be reproduced in any form whatsoever without prior written consent from the copyright holder.Height: 8 in x width: 6 in.Condition:All lots are in used condition. These photographs are from a working archive and contains notes, marks, labels, clippings, and/or retouching put in place by the staff at the time of publication. All may have cracks in the emulsion, losses, creases, folds, tears, smudges, and other issues associated with time, age, and use. The archive contains both silver gelatin prints and original vintage photographic reproductions.

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Lot 181

One gelatin silver print or original vintage press photographic reproduction related to Francis Ford Coppola from the archives of the Star Tribune. Depicting Francis Ford Coppola on the set of “Apocalypse Now,†which was the subject of his wife Eleanor’s intimate documentary on him directing “Hearts of Darkness: A Filmmaker’s Apocalypse.â€Provenance: From the archives of the Star Tribune, established over 150 years ago, Minneapolis, Minnesota.The copyrights for these images remains solely with the Star Tribune or with the issuing agency or photographer. The prints are available as a collectible item only and may not be reproduced in any form whatsoever without prior written consent from the copyright holder.Height: 10 in x width: 8 in.Condition:All lots are in used condition. These photographs are from a working archive and contains notes, marks, labels, clippings, and/or retouching put in place by the staff at the time of publication. All may have cracks in the emulsion, losses, creases, folds, tears, smudges, and other issues associated with time, age, and use. The archive contains both silver gelatin prints and original vintage photographic reproductions.

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Lot 206

One gelatin silver print or original vintage press photographic reproduction from the archives of the Star Tribune depicting Nikita Khrushchev at a luncheon in Austria with Premier Leopold Figl and commerce minister von Niederosterreich. During this visit, Khrushchev slipped up when he offended the Austrian public by sleeping through a gala performance on Mozart’s “Magic Flute.†Khrushchev led the Soviet Union during the height of the Cold War, serving as premier from 1958 to 1964 and sponsored the early Soviet space program.Provenance: From the archives of the Star Tribune, established over 150 years ago, Minneapolis, Minnesota.The copyrights for these images remains solely with the Star Tribune or with the issuing agency or photographer. The prints are available as a collectible item only and may not be reproduced in any form whatsoever without prior written consent from the copyright holder.Height: 8 in x width: 10 in.Condition:All lots are in used condition. These photographs are from a working archive and contains notes, marks, labels, clippings, and/or retouching put in place by the staff at the time of publication. All may have cracks in the emulsion, losses, creases, folds, tears, smudges, and other issues associated with time, age, and use. The archive contains both silver gelatin prints and original vintage photographic reproductions.

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Lot 217

One color gelatin silver print or original vintage press photographic reproduction from the archives of the Star Tribune depicting a Hubble Space Telescope image of Jupiter in preparation for the Galileo Probe entry site to enter into Jupiter’s atmosphere. The Hubble Telescope is one of the largest and most versatile space telescopes and is renowned as a vital research tool for astronomy that remains in operation in the present. Verso of the image bears a “Hubble Space Telescope News†“NASA†stamp.Provenance: From the archives of the Star Tribune, established over 150 years ago, Minneapolis, Minnesota.The copyrights for these images remains solely with the Star Tribune or with the issuing agency or photographer. The prints are available as a collectible item only and may not be reproduced in any form whatsoever without prior written consent from the copyright holder.Height: 8 in x width: 10 1/2 in.Condition:All lots are in used condition. These photographs are from a working archive and contains notes, marks, labels, clippings, and/or retouching put in place by the staff at the time of publication. All may have cracks in the emulsion, losses, creases, folds, tears, smudges, and other issues associated with time, age, and use. The archive contains both silver gelatin prints and original vintage photographic reproductions.

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Lot 205

One color gelatin silver print or original vintage press photographic reproduction from the archives of the Star Tribune depicting Pope John Paul II in front of St. John’s Basilica greeting a crowd that reaches out to him. Pope John Paul II was the head of the Catholic Church and sovereign of the Vatican City State for twenty seven years from 1978 until his death in 2005. He campaigned against political oppression, violence, and materialism and he holds the record as the third longest serving pontificate in history.Provenance: From the archives of the Star Tribune, established over 150 years ago, Minneapolis, Minnesota.The copyrights for these images remains solely with the Star Tribune or with the issuing agency or photographer. The prints are available as a collectible item only and may not be reproduced in any form whatsoever without prior written consent from the copyright holder.Height: 14 in x width: 11 in.Condition:All lots are in used condition. These photographs are from a working archive and contains notes, marks, labels, clippings, and/or retouching put in place by the staff at the time of publication. All may have cracks in the emulsion, losses, creases, folds, tears, smudges, and other issues associated with time, age, and use. The archive contains both silver gelatin prints and original vintage photographic reproductions.

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Lot 146

One gelatin silver print or original vintage press photographic reproduction from the archives of the Star Tribune depicting Lynyrd Skynyrd in a press photo with their original guitarist Ed King. Lynyrd Skynyrd is an American Southern classic rock band known for "Sweet Home Alabama" and "Free Bird." When the band's career abruptly halted in 1977 by their chartered airplane crashing and tragically claiming the lives of the vocalist and guitarist, the band is depicted after the reformation with their original guitarist and the vocalist’s brother, Johnny Van Zant as the new frontman.Provenance: From the archives of the Star Tribune, established over 150 years ago, Minneapolis, Minnesota.The copyrights for these images remains solely with the Star Tribune or with the issuing agency or photographer. The prints are available as a collectible item only and may not be reproduced in any form whatsoever without prior written consent from the copyright holder.Height: 8 in x width: 10 in.Condition:All lots are in used condition. These photographs are from a working archive and contains notes, marks, labels, clippings, and/or retouching put in place by the staff at the time of publication. All may have cracks in the emulsion, losses, creases, folds, tears, smudges, and other issues associated with time, age, and use. The archive contains both silver gelatin prints and original vintage photographic reproductions.

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Lot 229

One gelatin silver print or original vintage press photographic reproduction from the archives of the Star Tribune depicting a man being searched by United States border patrol officers in the 1950s in the Immigration Service’s war against non-citizens. The photo was taken in 1956 of an American born man right before he was led into questioning.Provenance: From the archives of the Star Tribune, established over 150 years ago, Minneapolis, Minnesota.The copyrights for these images remains solely with the Star Tribune or with the issuing agency or photographer. The prints are available as a collectible item only and may not be reproduced in any form whatsoever without prior written consent from the copyright holder.Height: 7 in x width: 9 in.Condition:All lots are in used condition. These photographs are from a working archive and contains notes, marks, labels, clippings, and/or retouching put in place by the staff at the time of publication. All may have cracks in the emulsion, losses, creases, folds, tears, smudges, and other issues associated with time, age, and use. The archive contains both silver gelatin prints and original vintage photographic reproductions.

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Lot 56

George Morrison (Ojibwe, 1919-2000). Tempera on paper painting titled "Nostalgia (After deChirco). Red Rock Variation. Lake Superior" depicting an abstract composition in red and blue, 1960. Signed, inscribed "Dayton Ohio," and dated along the lower right. With a label from Bockley Gallery affixed to the verso.Provenance: Private Minnesota Collection.Lot Essay:Regarded as the founding figure of Native American modernism and among the top American abstract expressionist painters is George Morrison. Also highly regarded as a master collage artist, he assembled large collages of found driftwood and woodcut in framed, puzzle-like forms. In the 1940s, he was formally trained at the Minneapolis College of Art and in the 1950s at the Art Students League in New York before receiving a Fulbright to study in France. Taking his place as part of the modern art movement in New York in the 1950s after World War II, he was friends with Jackson Pollock and Willem de Kooning, regularly exhibiting with de Kooning, Philip Guston, Hans Hofmann, and Franz Kline. Morrison helped bring the New York Modern Art Movement to Minnesota, where he was based and worked with pure form via Abstract Expressionism. Later in his career, in the mid-1970s, Morrison shifted to a new theme and started to really explore his heritage when he and his family built a home with an art studio on the Grand Portage Indian Reservation on Lake Superior, naming it Red Rock.Rather than portraying an overt depiction of identity, Morrison was in the process of exploring his identity so he looked to nature, stating “in this search for my own identity, I seek the power of the rock, the magic of the water, the religion of the tree, the color of the wind and the enigma of the horizon.†Translating nature into paintings was Morrison’s way to navigate learning and absorption, and in turn produce self-expression. His token theme was the horizon, taking on dynamic form as colors or shapes in the eternal motion of nature. His inspiration was provided by Lake Superior, observing and documenting the temporary sight of the revered sky meeting landscape that he beheld in the moment.His artworks are spotted today in the collections of the Heard Museum, Philadelphia Museum of Art, and Whitney Museum of American Art, US National Gallery of Art, Minneapolis Institute of Art, and the Walker Art Center. In 1997 he was honored in a ceremony at the White House when his work was included in the Twentieth Century American Sculpture at The White House: Honoring Native Americans exhibition. In 1999 Morrison was honored as inaugural Master Artist in the Eiteljorg Museum of American Indians and Western Art, Indianapolis.Sight; height: 17 1/4 in x width: 22 3/4 in. Framed; height: 26 in x width: 31 1/2 in x depth: 1 in.Condition:The colors are bold and deep. There are no major tears, losses, or restorations. There are several small creases and minute tears along the extreme edges and corners. There is some light craquelure to the thicker areas of paint. Floated in frame. Light wear to the frame.

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Lot 26

Alice Elizabeth Hugy (Swiss/American, 1876-1971). Oil on canvas painting titled "Hollyhocks" depicting a field blooming with abundant wildflowers.Alice Hugy, a Minnesota impressionist born in Solothurn, Switzerland, in 1876, moved to St. Paul at the age of six and began her art studies at St. Paul’s School of Fine Arts. She further honed her skills in New York and exhibited her work at prestigious venues like the Minnesota State Fair, Art Institute of Chicago, and Pennsylvania Academy of the Fine Arts.Hugy was not only a talented artist but also a commercial artist involved in WPA projects during the Depression. Known for her joyful still lifes and landscapes capturing scenes of Lake Phalen and the Mississippi River, Hugy was a pivotal figure in the St. Paul art colony and associated with artists like Paul Manship, Edward Brewer, and Clement Haupers. She is featured in the book "Pioneer Modernists - Minnesota's First Generation of Women Artists," alongside other renowned Minnesota artists such as Wanda Gag, Clara Mairs, Elsa Laubach Jemne, Frances Greenman, Evelyn Raymond, Jo Lutz Rollins and Ada Wolfe.Unframed; height: 16 in x width: 24 in. Framed; height: 17 1/2 in x width: 25 1/2 in x depth: 1 3/4 in.Condition:The colors are bold and bright. The surface is not stable and there are numerous losses throughout. No signs of restoration under UV light. Light wear to the frame.

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Lot 170

One gelatin silver print or original vintage photographic reproduction from the archives of the Star Tribune depicting the father of Anne Frank, Otto Frank. Depicting Otto Frank solemnly sitting alone at a table for an interview on “The Legacy of Anne Frank†that was shown on NBC’s “Eternal Light†show, speaking about Anne and her famous diary.Keywords: World War IIProvenance: From the archives of the Star Tribune, established over 150 years ago, Minneapolis, Minnesota.The copyrights for these images remains solely with the Star Tribune or with the issuing agency or photographer. The prints are available as a collectible item only and may not be reproduced in any form whatsoever without prior written consent from the copyright holder.Height: 7 in x width: 9 in.Condition:All lots are in used condition. These photographs are from a working archive and contains notes, marks, labels, clippings, and/or retouching put in place by the staff at the time of publication. All may have cracks in the emulsion, losses, creases, folds, tears, smudges, and other issues associated with time, age, and use. The archive contains both silver gelatin prints and original vintage photographic reproductions.

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Lot 230

One gelatin silver print or original vintage press photographic reproduction from the archives of the Star Tribune depicting the gallery of the New York Stock Exchange after catching news of President Eisenhower’s illness, being met with widespread losses at the close of the market.Provenance: From the archives of the Star Tribune, established over 150 years ago, Minneapolis, Minnesota.The copyrights for these images remains solely with the Star Tribune or with the issuing agency or photographer. The prints are available as a collectible item only and may not be reproduced in any form whatsoever without prior written consent from the copyright holder.Height: 7 in x width: 9 in.Condition:All lots are in used condition. These photographs are from a working archive and contains notes, marks, labels, clippings, and/or retouching put in place by the staff at the time of publication. All may have cracks in the emulsion, losses, creases, folds, tears, smudges, and other issues associated with time, age, and use. The archive contains both silver gelatin prints and original vintage photographic reproductions.

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Lot 84

Richard Bresnahan (American, 20th/21st c). Group of seven ceramics including six swirl cups and a footed melon bowl or tray. All wood fired by Bresnahan at The Saint John’s Pottery at St. John's University, Minnesota. Wheel thrown with natural ash decoration.Bresnahan is know for his wood fired pottery using local Minnesota clays and fired in a Japanese-style Anagama kiln. He trained under Sister Johanna Becker, OSB, at Saint John’s University as well as spending nearly four years in an apprenticeship in ceramics with a Living National Treasure family in Karatsu, Japan.Height ranges from 2 1/4 in to 5 1/2 in; diameter ranges from 2 1/2 in to 11 in.Condition:No visible cracks or chips. Minute losses on top rim of cups. No signs of restoration under UV light. Wear along underside and footrim as expected from age and use.

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Lot 57

George Morrison (Ojibwe, 1919-2000). Gouache on paper painting depicting two sailboats on the water, 1949. Signed and dated along the lower left.Provenance: Private Minnesota Collection.Lot Essay:Regarded as the founding figure of Native American modernism and among the top American abstract expressionist painters is George Morrison. Also highly regarded as a master collage artist, he assembled large collages of found driftwood and woodcut in framed, puzzle-like forms. In the 1940s, he was formally trained at the Minneapolis College of Art and in the 1950s at the Art Students League in New York before receiving a Fulbright to study in France. Taking his place as part of the modern art movement in New York in the 1950s after World War II, he was friends with Jackson Pollock and Willem de Kooning, regularly exhibiting with de Kooning, Philip Guston, Hans Hofmann, and Franz Kline. Morrison helped bring the New York Modern Art movement to Minnesota, where he was based and worked with pure form via Abstract Expressionism. Later in his career, in the mid-1970s, Morrison shifted to a new theme and started to really explore his heritage when he and his family built a home with an art studio on the Grand Portage Indian Reservation on Lake Superior, naming it Red Rock.Rather than portraying an overt depiction of identity, Morrison was in the process of exploring his identity so he looked to nature, stating “in this search for my own identity, I seek the power of the rock, the magic of the water, the religion of the tree, the color of the wind and the enigma of the horizon.†Translating nature into paintings was Morrison’s way to navigate learning and absorption, and in turn produce self-expression. His token theme was the horizon, taking on dynamic form as colors or shapes in the eternal motion of nature. His inspiration was provided by Lake Superior, observing and documenting the temporary sight of the revered sky meeting landscape that he beheld in the moment.His artworks are spotted today in the collections of the Heard Museum, Philadelphia Museum of Art, and Whitney Museum of American Art, US National Gallery of Art, Minneapolis Institute of Art, and the Walker Art Center. In 1997 he was honored in a ceremony at the White House when his work was included in the Twentieth Century American Sculpture at The White House: Honoring Native Americans exhibition. In 1999 Morrison was honored as inaugural Master Artist in the Eiteljorg Museum of American Indians and Western Art, Indianapolis.Sight; height: 8 1/4 in x width: 10 1/2 in. Framed; height: 16 in x width: 18 in x depth: 1 in.Condition:The sheet is affixed to a paperboard backing. The sheet is toned. There are several small chips along the edges of the sheet. Some discoloration along the left edge, possibly from the glue used to adhere the sheet to the board. There is a light undulation to the sheet throughout. The paperboard backing is fragile. There are discolorations throughout it from the glue used. There are several large tears throughout. Due to the fragile nature of the board, the verso has not been inspected. Housed between two non-acidic mats. Framed under glass, light wear to the frame. The paper backing of the frame has been cut along three sides to allow for inspection of the painting.

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Revere Auctions

Lot 193

One gelatin silver print or original vintage press photographic reproduction from the archives of the Star Tribune depicting Morris R. Wills, a prisoner of war who as American defector from the Korean War was captured to stay in a communist Chinese-run internment camp in North Korea for two years then immediately moved to China where he lived for twelve years before finally moving to Hong Kong with his family. Wills’ story is available in full detail in his book titled “Turncoat; an American's 12 Years in Communist China.â€Provenance: From the archives of the Star Tribune, established over 150 years ago, Minneapolis, Minnesota.The copyrights for these images remains solely with the Star Tribune or with the issuing agency or photographer. The prints are available as a collectible item only and may not be reproduced in any form whatsoever without prior written consent from the copyright holder.Height: 10 in x width: 8 in.Condition:All lots are in used condition. These photographs are from a working archive and contains notes, marks, labels, clippings, and/or retouching put in place by the staff at the time of publication. All may have cracks in the emulsion, losses, creases, folds, tears, smudges, and other issues associated with time, age, and use. The archive contains both silver gelatin prints and original vintage photographic reproductions.

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Revere Auctions

Lot 210

One gelatin silver print or original vintage press photographic reproduction from the archives of the Star Tribune depicting Harry S. Truman on a Train Car delivering a speech to a jam-packed crowd that fills the Fargo city street. President Truman’s legacy stems from his work guiding the American economy from war-time to a peace-time state, and advancing the cause of African-American civil rights by desegregating the workforce.Provenance: From the archives of the Star Tribune, established over 150 years ago, Minneapolis, Minnesota.The copyrights for these images remains solely with the Star Tribune or with the issuing agency or photographer. The prints are available as a collectible item only and may not be reproduced in any form whatsoever without prior written consent from the copyright holder.Height: 7 in x width: 9 in.Condition:All lots are in used condition. These photographs are from a working archive and contains notes, marks, labels, clippings, and/or retouching put in place by the staff at the time of publication. All may have cracks in the emulsion, losses, creases, folds, tears, smudges, and other issues associated with time, age, and use. The archive contains both silver gelatin prints and original vintage photographic reproductions.

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Revere Auctions

Lot 38

Charles Schulz (American, 1922-2000). Hand drawn ink on paper cartoon depicting Snoopy and Woodstock. Inscribed "To Kenneth with every best wish" and signed.Charles Schulz grew up in St. Paul, Minnesota, and fostered a love of comics throughout his childhood. He spent his later teen years studying drawing and cartoon work through a correspondence course with Art Instruction Schools. Following deployment in Europe during WWII, Schulz returned to St. Paul and got a job working as an instructor for the Art Instruction Schools. After a short lived comic strip for the St. Paul Pioneer Press, he hit it big with Peanuts in 1950, which was syndicated by United Features. The strip quickly became an enormous success, with legions of fans across the country–and world–falling in love with his quirky cast of characters and charming illustrations.The present lot typifies the characteristics for which Schulz’s comics were best-loved. It shows the characters’ personalities, always distinctive and lovingly mocked by Schulz. The strength of the character depictions, together with Schulz’s crisp, mobile linework, makes this a wonderful example of a Peanuts daily strip and of Schulz’s facility with character.Sight; Height: 10 in x width: 8 1/4 in. Framed; Height: 17 1/2 in x width: 15 in x depth: 1 in.Condition:The sheet is visibly toned. No visible tears, creases, losses, or restorations. Housed under an acidic mat. Framed under glass; light wear to the frame. Not inspected out of frame.

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Lion and Unicorn

Lot 333

Stunning figure in a rich red glaze with black and yellow highlights, variation of the ‘Patience’ Heron HN3533 that is part of the Images of Nature series. The Property of Royal Doulton Tableware LTD backstamp. Royal Doulton backstamp. Dimensions: 3.75"W x 13.25"HManufacturer: Royal DoultonCountry of Origin: EnglandAge related wear.

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JG Auction

Lot 296

Artist: Yosh*toshi Tsukioka (1839-1892)Title: Gen’i Viewing the MoonSeries title: One Hundred Aspects of the MoonPublisher: Akiyama BuemonDate: 1887Size: 35.2 x 24.5 cmCondition: Some replaced margins, minor restorations, light creases, backing residue.Ref: JGA69

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Unique Auctions

Lot 413

Two boxes of Sotheby’s matches, 30 packs in each box. 6 sets of 5. All complete & unused

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Unique Auctions

Lot 115

3 Royal Wessex graduated ironstone jugs by Swinnerton’s (Floral patterns)

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Unique Auctions

Lot 116

A quantity of collector’s cards in albums & A large lot of loose cards

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Unique Auctions

Lot 411

Six lovely ladies’ scarves

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Forum Auctions

Lot 3

Banksy (b.1974)Banksy™ Soft Toys The set of three unique faux taxidermy soft toys with collaged beach debris each mounted onto a wooden plaque, 2019, signed in black ink, numbered from the edition of 15 verso, also numbered from the edition of 15 on the printed hang-tag, from the Gross Domestic Product homewares line, each 250 x 200 x 230mm (9 7/8 x 7 7/8 x 9in) (3)'This delightful wall-mounted collection of critters is perfect for the Blue Planet generation. Made from charity shop kids toys and genuine random beach detritus, so may contain germs/infectious substances. This work is accompanied by a Certificate of Authenticity issued by Pest Control Office.

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Stacey's Auctioneers & Valuers

Lot 353

Cup Shocks + Interesting Football Programmes: 76/77 Everton relegate Sunderland, Coventry v Bristol City play out draw on same day when they hear result, postponed programme which caused this controversy also. Cup shocks include 66/67 Berwick v Rangers, 73/74 Brighton v Walton home and away, v Bristol Rovers from same season with score 2-8, 71/72 Bournemouth v Margate McDougall scores 9, 70/71 Colchester v Leeds, 91/92 Wrexham v Arsenal. If it’s quick goals you want there is 63/64 BPA v Tranmere 4 seconds and 1972 St Johnstone v Newcastle Supermac from kick off. C/W two fair condition 1964 E.S. Clydebank homes in their only season and could be their first home programmes. Interesting.

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Lion and Unicorn

Lot 45

Elegant pedestal bowl with floral motif. The artist Scott Potter’s decoupage technique uses hand cut reproductions of fine prints, multi-layered gilding and glazes. Signed by artist on bottom. Artist: Scott PotterDimensions: 7.5"H x 12" diaCountry of Origin: United StatesCondition: Age related wear.

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Potteries Auctions

Lot 155

Emerald Briolette Pendant Necklace 12.9 ct in 14ct White GoldGlorious swirls of green hues twist over each facet of the exceptionally rare pointed briolette emeralds. This necklace is in limited supply given the rarity of the stone’s cut.Pendant size: 0.4 x 1 in (10 x 25 mm)Pointed Briolette cut Emerald (15x10mm, 12.9 ct)Solid 14 carat white gold chain 3.2 grams Length 16 inch

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Potteries Auctions

Lot 128

Cleopatra Diamond Halo Engagement Ring 18ct White GoldThe exquisite solitaire in this ring is princess cut for magnificent sparkle and fire. To enhance its radiance, it’s nestled in a double halo setting of smaller diamonds. The diamond-studded split shank band divides into two either side of the centre setting, drawing the eye with more brilliance. A flawless 18ct white gold band completes the look.Princess cut diamond 4.2mmRing face 10.9mmInner halo: 14 brilliant cut white diamondsOuter halo: 22 brilliant cut white diamondsShank hosts 26 brilliant cut white diamondsTotal carat weight 0.75ct approximately, 18ct white gold hallmarked 750 shankSize: K 1/2Weight:4 gramsPreowned- professionally cleaned

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Potteries Auctions

Lot 60

WARREN JAMES 9ct Gold Eternity Ring - Representing the best of polish and sparkle, this Eternity ring is a classic. Elegant and stylish and a fabulous addition to sit alongside any other ring or to wear on it’s own.9ct Gold. DiamonFlash® Cubic ZirconiaFinest Quality Diamond Simulant. Channel Set. Ring size: N 1/2. Weight: 0.9 grams.

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Potteries Auctions

Lot 109

4 sets of 9ct pearl earrings & 1 set 10ct pearl earrings (5 sets total). 10ct White Gold and Silver Pearl Dropper Earrings-Dropper length 23mm , Pearl size 6.8mm Weight 1.3g. 9ct Gold and Pearl Stud Earrings, The Pearl has a dark green body colour, with overtones of pink and purple that are similar to the shimmering colours of a peaco*ck’s feathers., Pearl measures 6.70mm, 9ct yellow gold earrings, stamped 9K on the butterfly back, weight 0.9g. Natural Pearl Eclipse Circle Wire Earrings in 14ct Gold, Two genuine pearls. Solid 14ct, stamped 14K, Height (per earring) 22mm. Width (per earring) 6.4 mm. Gemstone 2 freshwater pearls (7 x 7 mm) = 4ct total for pair-Pearl & Citrine Droplet Earrings in 9ct Gold, Pearl & citrine leverback earrings handcrafted in solid 9 carat gold. Four gemstones, total 11.1 ct for both earrings combined. Size: 0.3 x 1 in (8 x 37 mm) per earring. Genuine oval cut Freshwater Pearl (10x8mm, 8 ct total for pair). Solid 9 carat yellow gold (3.20 gr)-Aquamarine and pearl 9ct dropper earrings

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Unique Auctions

Lot 846

3 x 4 drawer bedroom units’ width 9" inches x height 27 inches approximately.

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Stacey's Auctioneers & Valuers

Lot 1257

A collection of ceramics including art glass, two twist candlesticks, Mappin and Webb silver plated bowl. This lot can’t be posted

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JG Auction

Lot 196

Film: Kiki’s Delivery Service Director: Hayao Miyazaki Studio: Studio Ghibli Date: 1989 Condition: Light vinegar syndrome, line art fading. Ref: DGM637

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JG Auction

Lot 198

Film: Kiki’s Delivery Service Director: Hayao Miyazaki Studio: Studio Ghibli Date: 1989 Condition: Stuck to sketch. Ref: DGM759-3

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Rob Michiels Auctions

Lot 399

Mei Lanfang 梅蘭芳 (1894-1961): 'Bodhisattva' and Ma Jin 馬晉 (1900-1970): 'Calligraphy', ink and colour on paper, dated 1948Dim.: 210 x 64 cm (the scroll)Dim.: 97,5 x 48,5 cm (the work)

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Rob Michiels Auctions

Lot 414

Chen Zun é™³éµ (1723-?): 'Magnolia and pheasant', ink and colour on silk, dated 1775Dim.: 268 x 81 cm (the scroll)Dim.: 167,5 x 66 cm (the work)

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Rob Michiels Auctions

Lot 575

A Chinese famille rose ‘falcon’ teapot, Yongzheng L.: 18,5 cm - H.: 12,7 cm

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Rob Michiels Auctions

Lot 436

Huang Binhong 黄宾虹 (1865-1955): Album of nine landscape works accompanied by calligraphy, ink and colour on paperDim.: 39 x 37 cm

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Rob Michiels Auctions

Lot 373

Nishiura Enji (1856-1914): A pair of Japanese ‘waterfall’ vases, 19/20th C.H.: 19,7 cm

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Rob Michiels Auctions

Lot 411

Lou Shibai 娄师白 (1918-2010): 'Peaches', ink and colour on paperDim.: 235 x 83,5 cm (the scroll)Dim.: 137 x 68 cm (the work)

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Rob Michiels Auctions

Lot 982

A group of four Chinese bronze scholar’s desk objects, Shi Sou çŸ³åŸ mark, Ming/Qing L.: 8 cm (the Ming rectangular ink cake stand) Dia.: 8,5 cm (the Qing shisou plate) L.: 8 cm - H.: 6 cm (the Qing shisou brush rest) Dia.: 7 cm (the Ming round ink cake stand) Weight: 100 grams (the Ming rectangular ink cake stand) 78 grams (the Qing shisou plate) 108 grams (the Qing shisou brush set) 68 grams (the Ming round ink cake stand)Ref.: - Christie's, New York, Mar. 17, 2016, lot 1155, for a similar Ming rectangular ink rest. (sold USD 13.750) (link) - Christie's, London, Nov. 07, 2014, lot 570, for a similar Qing shisou plate. (sold GBP 1.500) (link) - Bonhams, Paris, Oct. 26, 2023, lot 220, for a similar Qing shisou brush set. (sold Euro 5.120) (link)